DOCUMENTATION

Screen City Biennial 2017 took place 12-31 October 2017 in Stavanger, Norway. Below you will get a glimpse of what went on.

 

Powered by Niio

 

Enrique Ramírez, Incoming (2017), projected on the facade of the Stavanger Concert Hall during kick-off event 7 October 2017. Commissioned by Screen City Biennial. Photo by Oddbjørn Erland Aarstad.

 

Biennial kick-off on 7 October 2017, video by Enrique Ramírez, Incoming (2017), Stavanger Concert Hall accompanied by Nils Henrik Asheim and Khaled Habeeb Photo by Oddbjørn Erland Aarstad.

 

Margarida Paiva, Traversings (2017), projected on the facade of the Stavanger Concert Hall. Photo by Oddbjørn Erland Aarstad.

 

Biennial kick-off on 7 October 2017, video by Margarida Paiva, Traversings (2017), Stavanger Concert Hall accompanied by Nils Henrik Asheim & musicians from Rogaland Conservatory of Music. Photo by Oddbjørn Erland Aarstad.

 

Biennial kick-off on 7 October 2017, artist conversation with Enrique Ramírez moderated by Daniela Arriado in the foyer of Stavanger Concert Hall. Photo by Oddbjørn Erland Aarstad.

 

Entrance, main venue M/S Sandnes boat at the Stavanger Harbour. Photo by Daniela Arriado.

 

Opening night, speech by Tanya Toft Ag, M/S Sandnes Boat. Photo by Oddbjørn Erland Aarstad.

 

Opening night, performance by Duncan Speakman, M/S Sandnes Boat. Photo by Oddbjørn Erland Aarstad.

 

Eric Corriel, Water Will Be Here (2019), installed at Stavanger Maritime Museum. Photo by Oddbjørn Erland Aarstad.

 

Dana Levy, This Was Home (2016), installed in cabin at the MS Sandnes boat. Photo by Oddbjørn Erland Aarstad.

 

Mirelle Borra, Somewhere in Between (2015), installed in cabin at the MS Sandnes boat. Photo by Oddbjørn Erland Aarstad.

 

Eric Corriel, Water Will Be Here (2010), installed at Stavanger Maritime Museum. Photo by Oddbjørn Erland Aarstad.

 

Enrique Ramirez, Sailors (2017), installed at Stavanger Maritime Museum. Commissioned by Screen City Biennial. Photo by Oddbjørn Erland Aarstad.

 

HC Gilje, Barents (mare incognitum) (2015), installed in container at Sandvigå, Stavanger Harbour. Photo by Oddbjørn Erland Aarstad.

 

HC Gilje, Barents (mare incognitum) (2015), installed in container at Sandvigå, Stavanger Harbour. Photo by Oddbjørn Erland Aarstad.

 

Art containers along Vågen, Stavanger Harbour. Photo by Oddbjørn Erland Aarstad.

 

Olivia McGilchrist, Jonkonnu / Gens Inconnus (2015), installed in container along Stavanger Harbour. Photo by Oddbjørn Erland Aarstad.

 

Olivia McGilchrist, Jonkonnu / Gens Inconnus (2015), installed in container along Stavanger Harbour. Photo by Daniela Arriado.

 

Yucef Merhi, Poet on Earth (2017), installed in container along Stavanger Harbour. Commissioned by Screen City Biennial. Photo by Oddbjørn Erland Aarstad.

 

Artist talk with Matti Aikio, moderated by Anna Ihle at Rogaland Art Centre, 13 October 2017. Photo by Oddbjørn Erland Aarstad.

 

Matti Aikio, Lávvu (2011-2017), installed at Studio 17 and Bakspeilet (Rogaland Art Centre). Commissioned by Screen City Biennial. Photo by Oddbjørn Erland Aarstad.

 

Performance by Budhaditya Chattopadhyay for opening of installation Exile and Other Syndromes (2016-2017), Rogaland Art Centre, 13 October 2017. Commissioned by Screen City Biennial. Photo by Oddbjørn Erland Aarstad.

 

Performance by Budhaditya Chattopadhyay for opening of installation Exile and Other Syndromes (2016-2017), Rogaland Art Centre, 13 October 2017. Commissioned by Screen City Biennial. Photo by Oddbjørn Erland Aarstad.

 

Duncan Speakman, It Must Have Been Dark By Then (2017), audio walk. Photo by Oddbjørn Erland Aarstad.

 

Duncan Speakman, It Must Have Been Dark By Then (2017), audio walk. Photo by Oddbjørn Erland Aarstad.

 

John Cleater, Consequences (2017). Augmented Reality – Art Walk at Stavanger Concert Hall and along the harbour area. Commissioned by Screen City Biennial. Photo by Oddbjørn Erland Aarstad.

 

John Cleater, Consequences (2017). Augmented Reality – Art Walk at Stavanger Concert Hall and along the harbour area. Commissioned by Screen City Biennial. Photo by Oddbjørn Erland Aarstad.

 

John Craig Freeman, Virtual U.S./Mexico Border (2017), Augmented Reality – Art Walk. Guided tour by the artist, 14 October. Photo by Oddbjørn Erland Aarstad.

 

John Craig Freeman, Virtual U.S./Mexico Border (2017), Augmented Reality – Art Walk. Photo by Oddbjørn Erland Aarstad.

 

John Craig Freeman, Virtual U.S./Mexico Border (2017), Augmented Reality – Art Walk in juxtaposition with Eric Corriel, Water will be Here. Stavanger Maritime Museum. Photo by Oddbjørn Erland Aarstad.

 

Artist conversation with Shezad Dawood after screening of his video work Leviathan Episode 1 – Ben (2017), moderated by Daniela Arriado, October 14, 2017. Photo by Oddbjørn Erland Aarstad.

 

Evangelia Kranioti, Exotica, Erotica, Ect. (2015), Art Documentary screened at SF Kino, cinema. Photo by Oddbjørn Erland Aarstad.

 

Performance by Telcosystems at Tou Scene, 14 October 2017. Photo by Oddbjørn Erland Aarstad.

 

Performance by Telcosystems at Tou Scene, 14 October 2017. Photo by Oddbjørn Erland Aarstad.

 

Critics` conversation at Stavanger Art Museum, arranged by VISP 19 October. Photo by Daniela Arriado.

 

Transforma, Live Cinema performance, at Stavanger Art Museum, 19 October. Photo by Oddbjørn Erland Aarstad.

 

Roundtable Discussion: Expanded Art in Public Space II, 15 October 2017 on the MS Sandnes boat. Photo by Oddbjørn Erland Aarstad.

 

Audience witnessing Transforma`s Live Cinema Performance at Stavanger Art Museum, 19 October. Photo by Oddbjørn Erland Aarstad.

 

M/S Sandnes Boat, point of departure for the art walks and screening located at the Stavanger Harbour. Photo by Daniela Arriado

 

Shape of Present, a Performance by Ali Alkhudr and his crew. The piece was in response to Exile and Other Syndromes by Budhaditya Chattopadhyay, closing event, 31 October at Rogaland Art Center`s Gallery. Photo by Daniela Arriado.

___

More documentation on Flickr
Documentation by PNEK